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Ortofon Stylus 5E
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Replacement stylus, recommended for the following cartridge models:
OM 5E, OMP 5E, OMB 5E, OMT 5E
Please note, all cartridges within the OM range have the same fitting, so they can all fit the Stylus 5, Stylus 5E, Stylus 10, Stylus 20, Stylus 30, Stylus 40 and Stylus 78.
Compatibility:
This is the same stylus found pre-fitted to the Pro-Ject Debut III turntable and all its variants, including the Debut USB and Debut Phono Speed Box (except the S/E3). This stylus is also the nearest replacement for the OM3E cartridge, which is pre-fitted to all Pro-Ject Essential turntables, and some Pro-Ject RPM 1.3 Genie models.
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Pro-Ject Cork IT
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This is a Cork mat designed to fit all Pro-Ject series turntables, except Debut II and III models (the Debut Carbon and Debut S/E 3 are compatible). The use of Cork gives the mat special sonic qualities, well-suited to certain deck/cartridge combinations, and also different room-types. The use of cork rather than felt (which is more commonly found as a turntable mat) is actually preferred by some audiophiles, as cork causes less 'slip' effect under the record than felt does; allowing for a tighter performance.
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Pro-Ject 78 RPM Pulley Kit
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Pulley Kit for playing 78 RPM records.
The 78 RPM kit contains a different belt and pulley (does not include stylus or cartridge) in order to play 78 RPM records on Pro-ject turntables. Please note that by using this kit you will lose the ability to play at 45 RPM.
For use with the following turntables only -
Debut range (except Debut Phono SB)
RPM 5 (any version except the RPM 5 Superpack)
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Pro-Ject Acryl-IT
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Acrylic is a popular material in high-end turntables. Not only does it offer a great visual appeal, it also has superlative sonic capabilities well-suited to audiophile systems.
The Acryl-IT upgrade platter for Debut and 1 Xpression turntable models delivers an improved sound performance compared to the regular steel platters. Acrylic is acoustically inert, and offers no colouration inside the audible frequency band for a pure, true-to-life audio performance.
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Page 51
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